Posts tagged "conceptual architecture"

The Music Experience_Frisly Colop

Posted · by — February 21, 2012 · 0 comments

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Designer: Frisly Colop
website *to be up soon
Excessive Studio

Proposal: The Music Experience
Music is an art by which we can express our deepest feelings, emotions and thoughts. It is an art that can often bring memories which transport us in time to past experiences and places or spaces associated with those memories. On a global scale, we collectively and individually activate spaces around us through our physical presence and by reacting to the different experiences encountered throughout the space itself.

This experimental proposal is composed of small pavilions which activate the flow of people between one another and serve as a physical border for a larger and more central concert hall. Each pavilion is an individual system, not only by its internal circulation but also through its function and materiality, infrastructure and composition. Rotating panels are activated by the flow of people in and out of them, and a system of lighting changes occurs in response to the perceived noise level at at given time. The roof that houses the union of the pavilions, is comprised of a system of panels that opens and closes according to the conditions necessary for natural light and proper ventilation.

The intention of this proposal is not to be seen as formal composition of an architectural space, but rather as a series of experimental spaces that potentially lead to the discovery of methods by which to create a large shelter through the merging of a series of random scale parts.
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Mechanical Elegance_Emre Icdem

Designer: Emre Icdem
Location: Hong Kong
Excessive Studio

Proposal: Mechanical Elegance
The main idea of the project is to evaluate religion as a mystic power that occurs at the event of horrific. It gathers people, creates social interactions and conversions. In this case the cathedral is designed with the idea of a “religious campus” that serves as a public space. It is mechanical and elegant at the same time with the light effects that change between day and night. The aesthetic agenda creates an atmosphere which tries to answer the question “what is the representation of holy?”

Since gothic fiction and its subculture is one of the main topics, the project attempts to connect the ideas of gothic and the ruin by its structural system which is in the limit of collapsing.

In terms of program the traditional plan of a cathedral is transformed into a vertical system.The vertical circulation system which replaces the naves, is connected to the main spaces of the tower.

About the Designer:
Emre was born in Istanbul, Turkey. He is currently working at 10 Design in Hong Kong. He recieved a Msc.Arch with distinction from “Excessive” studio at the University of Applied Arts Vienna “die Angewandte” and he also received his B.Arch from Yildiz Technical University in Istanbul. This project has been exhibited at La Biennale di Venezia /Austrian Pavillion.

Redeeming Condition – A New Cathedral_Frisly Colop

Designer: Frisly Colop
Current Location: Hong Kong

*Another awesome “Excessive Studio” proposal.

About the Designer:
Born in Guatemala, Frisly Colop is currently based in Hong Kong where he works as a designer at 10 Design Hong Kong. He received his MSc.Arch -Studio “Excessive”- at the University of Applied Arts Vienna, and his BArch at Drury University in the US. On going research involves the relationships between architecture and natural systems as well as the role of visualization in architecture.

Proposal: Redeeming Condition – A New Cathedral, Vienna Austria
As one approaches the new cathedral, an architectural composition merges the borders of the refined and the chaotic. It becomes the first experience for the visitor. This experience continues as a journey through the building interiorities, seeking for the spiritual light. This journey, for the believer and the non-believer, explores the conditions of darkness and infinite sacred light.

Augmented Reality Pavilion_Yao Gao

Designer: Yao Gao

Location: San Francisco
Academy of Art University
Professor: Kory Bieg

Proposal: Augmented Reality Pavilion
Investigating the relationship between humans and the built environment when the virtual, real, and augmented realities of our world collide. As a temporary pavilion the intensity and frequency of visitors drawn to the site will amplify the extreme spaces and force the occupants to question what is real.

This Pavilion Expo is located in the Mission Bay area in the city of San Francisco. It is a simulation venue to demonstrate the new technology and new structure. The main structure is located on several artificial platforms which are connected to the land by several bridges. Different opened aisles will lead people to the lobby, bar and admin which are all located on the first floor. The unique skeleton structure connects different interior spaces. For example, the café which is on the top of the lobby has a independent entrance. By the elevator to the underground area, people could enter the core of the building, which is a virtual cinema. The Expo shows the contrast of virtual world and the real world by two unique structures, which are opened skeleton corridor with viewing deck and fully enclosed interior spaces.

For example, the underground virtual cinema could simulate the whole virtual world. The cinema could float on the sea, in this case, people could feel the virtual world by sense of hearing, sense of sight, sense of smell and sense of touch. With the changes and transformations of the surrounding walls and retractable screen colors, in which it is like for people in the Avatar movie, people will enter the whole virtual world. Through the opened skeleton corridor, people could reach the restaurant on the top floor of the building from the lobby. People could feel the real feeling provided by the nature by standing at this place. The enclosed interior spaces are connected by the opened bridges. Just like the daily life that transforms from wake up to falling asleep and from the social networks on the internet to the real communication, people wanders between the virtual and the real world by passing through the enclosed interior space and the opened skeleton corridors. The exterior of the building will change its color and color intensity with the seasonal temperature change and sea rise. This new Expo will be an iconic new technological building in the Mission bay area.

An Atmosphere Excavated_John Becker

Designer: John Becker
website
Location: NY, NY

Proposal: An Atmosphere Excavated

Dating back to the 18th century the Harnham Estate, located a short distance outside Salisbury England has documented regional techniques for harvesting water providing a rich history of the practice and the subsequent effects. The methods applied through the centuries reflect regional limitations, a shift in intention and attempts to amplify efficiencies. Although many of these techniques are specific to the region and time period, they are not necessarily unique to the site; it is the extent of the documentation of these exercises and the entrepreneurial achievements intent on monetary gain that make the subsequent story so fascinating.

After acquiring the Estate in 1786 following the death of his Father, Sir Edward Harnham commissioned a series of engraved maps to be produced of the Estate. Cataloging the boundaries of the Estate, as well as all landmarks within the terrain in a series of 4 maps and 2 scenic prints one depicting the manor, and the other the view of the Salisbury Cathedral from the manor. The 2 remaining images both display the dew ponds contained on the site. The large number and proximity of these dew ponds is rare, and is considered to be the largest concentration of dew ponds known in the South Downs. Located on large deposits of chalk the South Downs is essentially a large aquifer making the retention of water a difficult task. For hundreds of years residents if the South Downs have used a technique known as puddling to construct dew ponds which allow water to be drawn from the atmosphere and retained on the surface for long time periods to provide drinking water for cattle.

In the Early 20th century a catastrophic failure exposed a previously forgotten cistern located beneath the dew ponds. A local architecture firm was hired to survey the cistern and assess its potential threat to the existing manor. The conclusions presented stated that once the water had evacuated the cistern it was no longer a structural threat to the residence. No one was injured in the failure, however a large number of livestock were lost. The rupture left a large chalk scar on the landscape which could be seen kilometers away. Inspired by the still visible scar James Harnham and a business partner John Linski founded Ethereal 1. Providing premium bottled water harvested from the now locally known Harnham dew ponds, Ethereal 1 entered the market June 11th, 1991 at 14 £ a litre. After a slow start Ethereal 1 finally met with success in 1995 as the market for bottled water grew exponentially. In order the meet growing demands, a series of dew collecting nets were pioneered by a London based architecture firm MJB Architects which allowed for a 25 fold increase production. Due to peak production vs. bottling time, storage bladders were constructed on the hillside to provide short term storage for water during the process. The Bladders were placed under the surface of the earth to provide protection from the sun, and to retain the waters desired temperature.

This new system now mirrored the previous system harvesting, storing, and distorting the landscape, except on an exaggerated time scale. The success of Ethereal 1 is largely credited to the history of water collection from the Estate. Inversely this success in turn encouraged the use of these techniques in the region to meet growing demands for water during periods of drought. Once these techniques were spread over a larger region their success caused the near collapse of the water table in the territory north of the South Downs. In 2026 a bill failed to pass that would have banned all acts of poaching the aerial aquifers within Southern England. By 2035 desalination became the leading source of water for England followed closely by atmospheric stripping techniques such as dew harvesting. At present 3000 cubic miles of water exist in the atmosphere at any given time. 98 percent of this resource is replenished every 2 days, and most importantly only 2 percent of this moisture exist in clouds, the vast majority is found in ambient air. Since 2028 atmospheric aquifers have been tracked and traded as an asset in the global stock exchange. As waters value increases many countries inflate their economies based on water futures. Recognized as one of the most prestigious water companies in the world, Ethereal 1 began to capitalize on their long standing history of water collection. In 2001 the company began selling vintage bottles of water, allowing customers to hand pick select days in which their water was collected. In 2071 an addition to the manor is constructed to house Ethereal 1s reserve bottle collection. The building is constructed out of an amalgamated chalk solution that itself becomes a source of water collection and storage. Three years following the construction of the Reserve House a vintage bottle of Ethereal 1 dated prior to the millennium fetches over 40,000 £ at auction.